These range from Giselle, Swan Lake, Don Quixote & Coppélia, Romeo & Juliet, and others. She is joined by members of her company, The Ballet Nacional de Cuba. As bonuses are performances from the CBC (with Igor Youskevitch,1958) and Bell Telephone Hour (with Melissa Hayden, Nora Kaye & Mia Slavenska, 1960).

Coppélia: Dr Coppélius and the Doll (Swanilda)
Music by Léo Delibes
Choreography: Alicia Alonso
(after the original by Arthur Saint-Léon and the version by Marius Petipa)
Dancers: Alicia Alonso, José Parés
1968

Don Quixote: Act III Pas de Deux
Music: Minkus
Choreography: Alicia Alonso, after Petipa & Obukhov
Dancers: Alicia Alonso, Azari Plisetsky
1968

Pas de Quatre
Music: Pugni
Choreography: Alicia Alonso, after Perrot
Dancers: Alicia Alonso, Mirta Plá, Loipa Araújo, Aurora Bosch
1968

La Fille Mal Gardée: Lisette Keeps Her Love a Secret
Music: Hertel
Choreography: Alicia Alonso, after Dauberval
Dancers: Alicia Alonso, José Parés and Alberto Méndez
1968

Oedipus Rex; Bedroom Scene
Music: Brouwer
Choreography: Alicia Alonso & Jorge Lefebre
Dancers: Alicia Alonso, Jorge Esquivel
1971

La Peri
Music: Burgmüller
Choreograhy: Alberto Méndez
Dancers: Alicia Alonso, Jorge Esquivel
1985

Carmen Suite: Variations & Habanera
Music: Shchedrin, after Bizet
Choreography: Alberto Alonso
Dancers: Alicia Alonso, Azari Plisetsky
1968

All with Ballet National de Cuba
National Symphony Orchestra of Cuba
Manuel Duchesne Cuzán conductor

Bonuses

Black Swan Pas de Deux (First Adagio)
Music: Tchaikovsky
Choreography: Petipa
Dancers: Alicia Alonso, Igor Youskevitch
Orchestre de Radio-Canada, Jean Beaudet
December 4, 1958

Pas de Quatre
Music: Pugni
Choreography: Anton Dolin, after Perrot
Dancers: Alicia Alonso, Melissa Hayden, Nora Kaye, Mia Slavenska
Bell Telephone Hour Orchestra/Voorhees
April 1, 1960